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Act 3 (The Love Act: A Dream Ballet) is where things may start to get rough for the more timid souls in the audience. Upon returning from another interactive intermission (which can include anything from a string trio performing in a freight elevator to an opportunity to chat with the performers), theatregoers watch Wind and the Lily as they journey south. A more sobering analysis of this extremely athletic segment (daringly choreographed by Erika Chong Shuch) demonstrates that traditional marriage is far too restrictive to be worth it.
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